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Die grosse Schlacht in Frankreich / H.R. Erdt.

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Die grosse Schlacht in Frankreich / H.R. Erdt.

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Summary

Poster shows German soldiers around a cannon. In the background looms an image of General Paul von Hindenburg. Text advertises part 1 of the film "The Great Battle in France."
Forms part of: Rehse-Archiv für Zeitgeschichte und Publizistik.

German Wold War I Propaganda Posters, 1914-1919

Movie posters and movie theaters.

The popularity of “moving pictures” grew in the 1920s. Movie "palaces" sprang up in all major cities. For a quarter or 25 cents, Americans escaped their problems and lose themselves in another era or world. People of all ages attended the movies with far more regularity than today, often going more than once per week. By the end of the decade, weekly movie attendance swelled to 90 million people. The silent movies gave rise to the first generation of movie stars. At the end of the decade, the dominance of silent movies began to wane with the advance of sound technology.

By 1908 there were 10,000 permanent movie theaters in the U.S. alone. For the first thirty years, movies were silent, accompanied by live musicians, sound effects, and narration. Until World War I, movie screens were dominated by French and Italian studios. During Great War, the American movie industry center, "Hollywood," became the number one in the world. By the 1920s, the U.S. was producing an average of 800 feature films annually, or 82% of the global total. Hollywood's system and its publicity method, the glamourous star system provided models for all movie industries. Efficient production organization enabled mass movie production and technical sophistication but not artistic expression. In 1915, in France, a group of filmmakers began experimenting with optical and pictorial effects as well as rhythmic editing which became known as French Impressionist Cinema. In Germany, dark, hallucinatory German Expressionism put internal states of mind onscreen and influenced the emerging horror genre. The Soviet cinema was the most radically innovative. In Spain, Luis Buñuel embraced abstract surrealism and pure aestheticism. And, just like that, at about its peak time, the silent cinema era ended in 1926-1928.

A very large dataset of various big guns, howitzers, mortars, columbiads, all types of canon-like things - everything besides machine guns and rockets. This collection as well as all massive collections on Picryl.com required two steps: First, we picked a set to train AI vision to recognize cannon artillery, and after that, ran all 25M+ images in our database through our image recognition network. All media in the collection is in the public domain. There is no limitation on the dataset usage - educational, scientific, or commercial.

date_range

Date

01/01/1918
person

Contributors

Erdt, Hans Rudi, 1883-1918, artist
Rehse Archiv für Zeitgeschichte und Publizistik, DLC, former owner
place

Location

create

Source

Library of Congress
copyright

Copyright info

No known restrictions on publication. For information see "World War I Posters" (http://lcweb.loc.gov/rr/print/res/243_wwipos.html)

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