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Gran tavola cosmografica contenente le rotazioni annuali terresti corrispondenti al sole : veduta dai poli per meglio far conoscere l'alternativa delle ombre e della luce : con sue refrazioni, posizione della luna relativamente alla terra, sue riflessioni, e sue maree : con scale indicanti a ciascun paese la durata del giorno & della totte per ogni latitudine : altra nuova scala sinottica dimostrante la declinazione e ascensione retta del sole in ogni giorno dell'anno /

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Gran tavola cosmografica contenente le rotazioni annuali terresti corrispondenti al sole : veduta dai poli per meglio far conoscere l'alternativa delle ombre e della luce : con sue refrazioni, posizione della luna relativamente alla terra, sue riflessioni, e sue maree : con scale indicanti a ciascun paese la durata del giorno & della totte per ogni latitudine : altra nuova scala sinottica dimostrante la declinazione e ascensione retta del sole in ogni giorno dell'anno /

description

Summary

Includes text, four hemispherical views of the Earth showing night and day and different times and latitudes, and colored illustrations.
Available also through the Library of Congress Web site as a raster image.
LC copy imperfect: Discoloration along edges, torn and repaired, wrinkles, and loses along edges.

Rennaisance Cosmography, Astronomy, and Astrology Images and Diagrams

A veduta, plural vedute, is a highly detailed, usually large-scale painting or, more often print, of a cityscape or some other landscape. The painters of vedute are referred to as vedutisti. Veduta was introduced by northern European artists, most likely Flanders who worked in Italy, such as Paul Brill (1554–1626), a landscape painter who produced a number of marine views and scenes of Rome that were purchased by visitors. Among the most famous of the vedutisti are four Venetians. Canaletto was probably the greatest of the vedutisti, produced Venetian architecture works. Giacomo Guardi (1678–1716), Giannantonio Guardi (1699–1760), and Francesco Guardi (1712–93), also produced a great number of views of Venice. Giovanni Pannini (c. 1691–1765/68) was the first artist to concentrate on painting ruins.

The Moon has always been a magical and mystical object for people throughout history. It is the 2nd brightest object in the sky after the Sun. Since prehistoric times, the Moon has been an object of fascination, awe, and worship. The Moon has its influence on our culture through music, theater, literature, and more.

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Date

01/01/1855
person

Contributors

Villa, Ignazio.
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Source

Library of Congress
copyright

Copyright info

Public Domain

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