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Lobby of what was once called Sears House on Pennsylvania Avenue, which at one time held the studios of Civil War photographer Mathew Brady. Washington, D.C.

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Lobby of what was once called Sears House on Pennsylvania Avenue, which at one time held the studios of Civil War photographer Mathew Brady. Washington, D.C.

description

Summary

Digital image produced by Carol M. Highsmith to represent her original film transparency; some details may differ between the film and the digital images.
Photograph taken in the early 1980s.
Title, date, subject note, and keywords provided by the photographer.
Credit line: Photographs in the Carol M. Highsmith Archive, Library of Congress, Prints and Photographs Division.
Gift and purchase; Carol M. Highsmith; 2011; (DLC/PP-2011:124).
Forms part of the Selects Series in the Carol M. Highsmith Archive.

Mathew Brady (1823-1896) was one of the most prolific photographers of the nineteenth century, creating a visual documentation of the Civil War period (1860-1865). During the Civil War, Brady and his associates traveled throughout the eastern part of the country, capturing the effects of the War through photographs of people, towns, and battlefields. Additionally, Brady kept studios in Washington, DC and New York City, where many influential politicians and war heroes sat for portraits. The U.S. National Archives has digitized over 6,000 images from the series Mathew Brady Photographs of Civil War-Era Personalities and Scenes (National Archives's Local Identifier 111-B) and included them in our online catalog. The U.S. National Archives was established in 1934 by President Franklin Roosevelt, but its major holdings date back to 1775. The National Archives keeps only those Federal records that are judged to have continuing value -- about 2 to 5 percent of those generated in any given year. By now, they add up to a formidable number, diverse in form as well as in content. In addition to the photographs and graphic images described above, there are approximately 9 billion pages of textual records; 7.2 million maps, charts, and architectural drawings; billions of machine-readable data sets; and more than 365,000 reels of film and 110,000 videotapes. All of these materials are preserved because they are important to the workings of Government, have long-term research worth, or provide information of value to citizens.

In 2015, documentary photographer Carol Highsmith received a letter from Getty Images accusing her of copyright infringement for featuring one of her own photographs on her own website. It demanded payment of $120. This was how Highsmith came to learn that stock photo agencies Getty and Alamy had been sending similar threat letters and charging fees to users of her images, which she had donated to the Library of Congress for use by the general public at no charge. In 2016, Highsmith has filed a $1 billion copyright infringement suit against both Alamy and Getty stating “gross misuse” of 18,755 of her photographs. “The defendants [Getty Images] have apparently misappropriated Ms. Highsmith’s generous gift to the American people,” the complaint reads. “[They] are not only unlawfully charging licensing fees … but are falsely and fraudulently holding themselves out as the exclusive copyright owner.” According to the lawsuit, Getty and Alamy, on their websites, have been selling licenses for thousands of Highsmith’s photographs, many without her name attached to them and stamped with “false watermarks.” (more: http://hyperallergic.com/314079/photographer-files-1-billion-suit-against-getty-for-licensing-her-public-domain-images/)

date_range

Date

01/01/1980
person

Contributors

Highsmith, Carol M., 1946-, photographer
place

Location

Washington, District of Columbia, United States38.90719, -77.03687
Google Map of 38.9071923, -77.03687070000001
create

Source

Library of Congress
copyright

Copyright info

No known restrictions on publication.

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